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Portrait of an Actor
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Portrait of an Actor : ウィキペディア英語版
Portrait of an Actor

''Portrait of an Actor'' ((フランス語:Portrait de Comédien); (ロシア語:Портрет актера)) is a painting by Domenico Fetti in the Hermitage Museum in Saint Petersburg, Russia. It was probably painted in 1621 or 1622 in Mantua, Italy. The sitter, who is holding a theatre mask, is believed to be a ''commedia dell'arte'' actor, either Tristano Martinelli or Francesco Andreini.〔("Fetti, Domenico – Portrait of an Actor (Tristano Martinelli or Francesco Andreini ?)" ) at the Hermitage Museum website; Askew 1978 (Martinelli, Harlequin mask); Safarik 1990 (Andreini).〕 There is a well known copy of the portrait by an unidentified artist in the Gallerie dell'Accademia in Venice.〔Askew 1978, p. 62. The Venice copy is reproduced as Fig. 8. The caption reads: "Copy after Domenico Fetti."〕
==Provenance==
The first record of Fetti's portrait is a 1653 inventory of Cardinal Mazarin's collection at the Palais Mazarin in Paris, where it is described as "Harlequin, sur toile, par Fety (on canvas, by Fetti )".〔Aumale 1861, (p. 347 ), cited by Askew (1978, p. 64) and Safarik (1990, p. 284).〕 An inventory drawn up after the Cardinal's death in 1661 lists it as item 1266: "Un autre faict par Fety (1), sur toile, représentant ''Harlequin, comédien, tenant un masque'' (work by Fetti (1), representing ''Harlequin, actor, holding a mask'' )".〔Cosnac 1884, (p. 342 ), cited by Askew (1978, p. 64) and Safarik (1990, p. 284).〕 The painting was later in the collection of Pierre Crozat and reproduced as ''Portrait de Comédien'', an engraving by Nicolas de Larmessin in the ''Recueil Crozat'' (1729), where it is noted that the actor had been in the service of the Duke of Mantua.〔(''Portrait de Comédien'' (engraving) ) at Gallica; for the note, see ''Recueil d'estampes'', (vol. 1 (1729), p. 40 ), at Gallica.〕 It is also mentioned in an inventory made after Crozat's death in 1740〔Safarik, 1990, p. 286, cites Stuffmann 1968, p. 68, note 92.〕 and was inherited by Crozat's nephew, Louis-Antoine Crozat. It was described in a 1755 inventory as a portrait of a "Comédien la tête découverte, tenant un masque d'Arlequin; par le Feti (head uncovered, holding a Harlequin mask; by Fetti )".〔La Curne de Sainte-Palaye 1755, (p. 29 ), cited by Safarik 1990, p. 284.〕 After the death of Louis-Antoine Crozat, it was sold by his heir in 1772 to Catherine II of Russia and is mentioned as being in the collection of the Hermitage Museum beginning in 1774.〔Saffarik 1990, p. 284; (Sotheby's ).〕

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